Representing the Folkloric Story of “Beyeti Goat and the Lion” in the Images of Mannai Gunmetal Belt

Authors
1 M.A in Archeology
2 Ph.D. Candidate in Archeology- Mohaqeq Ardabili University- Ardabil – Iran.
3 Faculty Member / Department of Archeology- Mohaqeq Ardabili University- Ardabil – Iran.
Abstract
Most of the images on the ancient antiques and objects have their root in the folkloric and ancient beliefs, myths, anecdotes and faith of the nations. Thus by referring to the folkloric and anthropologic studies on the one hand and investigation and research on the oral literature and folk literature, local myths and legends on the other hand, we can explore the mysterious world of these images. Following the discovery of a gunmetal belt from the first millennium B.C. in Piranshahr; city located in southern part of Urmiah lake, related to the Mannai art and culture and investigating its images, some tracks of an ancient Kurdish folkloric story called “Beyeti goat and the lion” which is narrated in the traditional Kurdish circles has been found. It is possible that these images have historic roots of this folkloric story from the first and second millennium B.C. In this paper the author seeks to determine the relation between the images of this historic object and the story of “Beyeti goat and the lion” by adopting comparative approach and interdisciplinary studies.
Keywords

Subjects


Dyson, Robert H. (1965). "Problems of Protohistoric Iran as Seen from Hasanlu"; Journal of Near Eastern Studies, Vol. 24, No. 3.
- Mellink, M. (1966). The Hasanlu Bowl in Anatolian Perspective. Iranica Antiqua. no. 6. pp. 72-89.
- Jamzadeh, Parivash. (2000). An Achaemenid Motif Seen in Later Epic and Art, in Iranica Antiqua. vol.XXXV. pp. 47-56.
- Luckenbill, D. D. (1926). Ancent Records of Assyria and Babilonia I, Historical Records of Assyria from the Eariest times to sargon. Chicago: University of Chicago press.
- Parpola, S. (2003). Sacas, India, Gobryas and the Median Royal Court: Xenophons Cyropaedia, Continuity of Empiar (?): Assyria, Media, Persia, (Eds.G. B. Lanfranchi & et al., Padova: pp. 339-350.
- Porada, E. (1959). The Hasanlu Bowl. Expedition 1. no. 3. pp. 18-22.
- ------------ (1960). Notes on The Gold Bowl and Silver Beaker from Hasanlu, in a survey of Persian Art from Prehisoric Timse to the Present. ed. Arthur Upham Pope. vol. XIV. pp. 2971-2978.
- Rubinson, S. K. (2003). "The Hasanlu Gold Bowl: A View From Transcaucasia". eds. N.F. Miller & K. Abdi . Yeki Bud, Yeki Nabud. pp. 237-241.
- Stronach, D. (2002). "Icons Of Dominion: Review scenese at Til BARSIP and PERSEPOLIS". Iranica Antiqua. vol.XXXVII. pp. 373-402.
- Swiny S. (1975). survey in Northwest Iran 1971. East and West Vol.25.
- Winter, I. J. (1989). "The Hasanlu Gold Bowl: Thirty Years Later". Expedition: The magazine of the University of Pennsylvania. vol.31. no. 2-3. pp. 87-106.
- ------------ (1980). A Decorated Breastplate from hasanlu. Iran. University Museum Monograph 39. Philadelphia: University Museum, University of Philadelphia.