Study of Magic Vicinity in Folk Proverbs
Authors
Abstract
Since, proverbs are composed of bits, line, concise sentences and
musical metaphor: they are considered a type of Persian literature.
One of the reasons for the spread of proverbs is that they indicate the
general and pervasive thought or experience in the shortest terms. In
addition, the music (the use of the balance of sound in speech) has a
big impact on the development and spread of proverbs, and causes the
listener to enjoy the magical word. Sometimes, the music is so strong
that the collective memory of the community, regardless of the
meaning of some words, enjoys the harmony and melody within it.
Shafie Kadkani named it "magic vicinity". In this study, the book
"Dästännämeye Bahmanyäry" by Ahmad Bahmanyary, which is about
six thousand proverbs, is examined from this perspective. The results
of research show that fifty proverbs in this book enjoy a variety of
musical balance and literary industries as parallelogram rhyme, pun,
and phonological layout and repeat, which are the largest in the
musical of proverbs. Also by presenting numerous examples, the
theory of Shafie Kadkani about the formation of some proverbs based
solely on magic vicinity is proved.
musical metaphor: they are considered a type of Persian literature.
One of the reasons for the spread of proverbs is that they indicate the
general and pervasive thought or experience in the shortest terms. In
addition, the music (the use of the balance of sound in speech) has a
big impact on the development and spread of proverbs, and causes the
listener to enjoy the magical word. Sometimes, the music is so strong
that the collective memory of the community, regardless of the
meaning of some words, enjoys the harmony and melody within it.
Shafie Kadkani named it "magic vicinity". In this study, the book
"Dästännämeye Bahmanyäry" by Ahmad Bahmanyary, which is about
six thousand proverbs, is examined from this perspective. The results
of research show that fifty proverbs in this book enjoy a variety of
musical balance and literary industries as parallelogram rhyme, pun,
and phonological layout and repeat, which are the largest in the
musical of proverbs. Also by presenting numerous examples, the
theory of Shafie Kadkani about the formation of some proverbs based
solely on magic vicinity is proved.
Keywords
- بامدادی، بهروز (1384). «شعر تجسمی و صدامعنایی در سبک آذربایجانی». فصلنامةادبیاتفارسی. ش 13. صص59-51 .
- بهمنیار، احمد1381) ). داستان‌نامۀبهمنیاری. تهران: دانشگاه تهران. چ دوم.
- تجلیل، جلیل (1385) .جناسدرپهنه ادبفارسی. تهران: انتشارات پژوهشگاه علوم انسانی و مطالعات فرهنگی. چ سوم.
- ثمره، یدالله (1364).آواشناسیزبانفارسی. تهران: مرکز نشر دانشگاهی.
- ذوالفقاری، حسن (1386). «بررسی ساختار ارسال مثل».پژوهش‌هایادبی. ش 15. صص 31-62.
- -------------1389) ). «زیبایی‌شناسی ضرب‌المثل‌های فارسی».شعرپژوهی. ش4. صص 51-82.
- شفیعی کدکنی، محمدرضا (1377). «جادوی مجاورت». مجلةبخارا. ش2. صص 15-26.
- ----------- (1391).رستاخیزکلمات. تهران: سخن. چ سوم
- ــــــــــــ (1373). موسیقیشعرفارسی. تهران: آگاه. چ چهارم.
- گلچین، منیژه (1380-1381). «جلوه‌هایی از جادوی مجاورت در مثنوی». ضمیمۀ مجلۀدانشکدهادبیاتوعلومانسانیدانشگاهتهران. ش .29 صص 29-42.
- شمیسا، سیروس (1390). نگاهیتازهبهبدیع. تهران: میترا. چ چهارم.
- صفوی، کورش (1390).اززبان‌شناسیبهادبیات) نظم). تهران: سوره مهر. چ سوم.
- طهماسبی، طغرل (1380).موسیقیدرادبیات. تهران: رهام. چ اول.
- فضیلت، محمود (1388). آهنگشعرفارسی. تهران: سمت. چ دوم.
- محسنی، مرتضی (1381). «بررسی و تحلیل عنصر غالب بلاغی در پانصد مثل داستان‌نامۀ بهمنیاری». پژوهش‌نامۀعلومانسانیواجتماعی. س دوم. ش 6-7. صص 161-192.
- ناتل خانلری، پرویز (1367). هفتادسخن (شعروهنر). تهران: توس. چ اول.
- همایی، جلال‌الدین (1373).فنونبلاغتوصناعاتادبی. تهران: هما. چ نهم.
- یوسفی، غلامحسین (1386). کاغذزر. تهران: سخن. چ دوم.
