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The poems and rituals of the oral Ashura in various geographical areas illustrate the dominant manner of literary creation and the general streams of thought and religion. An examination of these poems illustrates the historical course of the Ashura oral literature among the people of one area. Accordingly, in the present study, we attempt to introduce the ritual poems of "Tea", "Ashouri", and "Friends of Worship" in the folk ritual literature of Damghan using an anthropological approach. The issue of Ashura rituals puts them in the broader areas of oral religious literature that have a direct relationship with popular religious rituals. The analysis was carried out on structural and content sections, introducing and focusing on the symbolic functions in the content section. In the structural part, the dominant theme of these poems is the emphasis on rhythm, rhyme, row, and inner music. The method of the study is qualitative and the means of data collection is in-depth interviews with experts on related poems.

Keywords: Tea, Ashouri, Friends of Worship, Damghan

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