Typology of Bakhtiari Wedding Poems in Ardal and Lordegan Counties

presented, this article attempts to criticize and examine these poems based on the theoretical foundations of the knowledge of literary types, especially folk literature, and to present a systematic classification of them.The research method in this article is a type of content analysis with a descriptive-analytical approach, and the data were collected in the field in the form of 46 samples (2288 verses) from the two cities of Ardel and Lordegan located in Chaharmahal and Bakhtiari province, and finally it was determined that the Bakhtiari type of double-barrel has at least 25 subtypes. These subtypes are named based on the verse, or stanza, or the word of preference. The meter in them is syllabic. Their performance style is two-way; that is, one person sings and the group responds. These poems are usually sung without musical accompaniment or dance, but with singing, and the responders clap their hands while singing. In terms of format, most of these poems are based on the structure of double-barrel (two-barrel). The frequency of tangible and tangible analogies in them is high. In terms of content, they are happy, exciting, and very dynamic.The thought contained in them is objective and the theme of love and affection is seen in most of them.