Volume 7, Issue 26 (2019)
CFL 2019, 7(26): 149-174 |
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fatemeh S N O, kheirandish S M, paselari A. The aesthetics of southern Shervehs
(Based on Fayez Dashtestani and Mahya Bastaki)
. CFL 2019; 7 (26) :149-174
URL: http://cfl.modares.ac.ir/article-11-30376-en.html
URL: http://cfl.modares.ac.ir/article-11-30376-en.html
1- assistant professor of Persian language and literature, payame noor university , f.sadeghi1386@yahoo.com
2- associate professor of Persian language and literature, payame noor university
3- master of arts of Persian language and literature, payame noor university.
2- associate professor of Persian language and literature, payame noor university
3- master of arts of Persian language and literature, payame noor university.
Abstract: (8307 Views)
One of the intrinsic qualities of literature as art is beauty. The important musical and linguistic elements make poetry beautiful by creating deviation. Sherveh which is one of the well-known examples of southern Iran musical art (Hormozgan and Bushehr ) is not the case of exception. The present research aims at introducing as much as possible the verses as well as the study of the aesthetic elements of this type of poetry, with a rhetorical criticism and a descriptive- analytical approach. The corpus of the present study consists of Fayez Dashtestani and Mahya Bastaki lyrics. The results of the research indicate that the main reason for the survival of these poems, in addition to their content, is due to the aesthetic components of these poems, which shows that these two poets are totally mastered the poetry. These two poets were able to create beauty in their poetry by using simple language, the most popular vocabulary and the vast frequency of inventive figures corresponding to the linguistic context of poetry, such as comparison and metaphor. A linguistic and literary beauty which are in perfect harmony with the emotional texture of the poem, its content and its audience in general.
Article Type: پژوهشی اصیل |
Subject:
Southern literature
Received: 2019/02/12 | Accepted: 2019/04/23 | Published: 2019/06/15
Received: 2019/02/12 | Accepted: 2019/04/23 | Published: 2019/06/15
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