Showing 4 results for Kohgiluyeh and Boyer-Ahmad
Mohammadreza Najjarian, Kobra Zarifian Kriek,
Volume 3, Issue 7 (12-2015)
Abstract
One of the genres of folk literature is non-narrative literature including poems, tales, riddles, parables, and fables. In terms of form and diction, these are classified into songs, odes and lullabies. Folk songs may be considered on the basis of their subject matter, style and composer’s spirits. Iranian songs of this type are characterized with natural hilarity, emotional sincerity and poetic salubrity. The province of Kohgiluyeh and Boyer-Ahmad is located in the southwest of Iran, divided into hot and cold areas. The dialect spoken in this region is Boyerahmadi which is a little different across the province. As one of the closest versions of the Persian language, the dialect is believed to be an offspring of the Middle Persian. A comparison of syntactic and lexical structures of Lori dialect and the standard Persian dialect show that both derive from the Sassanid Middle Persian and further back from the Old Persian. This paper aims at Kohgiluyeh and Boyer-Ahmad folk poems in terms of themes, contents, and aesthetic features. It specifically focuses on Sherveh and its origin in southern Iran as well as amorous songs and lullabies. These issues are discussed through classification and illustration.
Seyyed Borzoo Jamaliyanzadeh, Mohammad Hossein Karami, Jalil Nazari,
Volume 3, Issue 7 (12-2015)
Abstract
Work Songs during the work have a great extent .Several examples of these songs can be observed among the farmers, stockbreeders and weavers. These songs make the work space free from the monotony and strictness alleviating the tiredness and exhausting pain of work, and reinforce the men and women effort, resulting in movement sensation and hope during the work. The composed poems in the field of work and business in Kohgiluyeh and Boyer-Ahmad, form at large scale the literature of this area. In the environment of work, men and women from Kohgiluyeh and Boyer-Ahmad have had the poem in tune with someone who was doing the work. This kind of poem has had an appropriate music and sensation. They are anonym composers who compose these songs to show their happiness, sorrows, loneliness, and pains. These songs have had an important role in transferring the cultures; rituals and manners between the generations. In the rural and tribal society of this area, there have been some works such as farming, rice milling, milking and dyeing where the workers composed songs to have the pleasure and fun. This article tries to consider and analyze the agricultural songs (rice milling, rice farming), livestock songs, breeding and knitting songs.
Abdulwahed Saberi, Alireza Shabanlu, Yousef Mohammadnejad Alizamin, Keshvad Siahpour,
Volume 9, Issue 42 (12-2021)
Abstract
The aims, questions, hypotheses and research methods
In this research, we try to emphasize the differences between the oral narration of the people of Kohgiluyeh and Boyer-Ahmad and the original story of Kaykhosrow in Shahnameh. While rereading the epic foundations and myths of this story, we investigated the holy image-myths of Kaykhosrow in the popular literature of Kohgiluyeh and Boyer-Ahmad.
In this article, we seek to answer the following questions: How is Kaykhosrow's image in popular culture and literature of Kohgiluyeh and Boyer-Ahmad? Which epic and mythical themes from the story of Kaykhosrow are reflected in the narrative of the people in Kohgiluyeh and Boyer-Ahmad?
The hypothesis of this research is that according to the heroic spirit of the people of Kohgiluyeh and Boyer-Ahmad and their familiarity with rough and war-torn mountains, the narrative of Kaykhosrow's story has changed among residents of Kohgiluyeh and Boyer-Ahmad in order to strengthen the epic themes.
The research method, in terms of basic aim and data collection, followed library-field studies, and the data analysis was done through qualitative content analysis and structured interviews.
The main discussion
Although Kaykhosrow is a multifaceted character and all the epic and heroic features, along with his spiritual functions, are evident in his character, the last parts of his life and his glorious journey are the reason for his pious personality, and such a journey is not very prone to the emergence of epic themes.
However, the people of Kohgiluyeh and Boyer-Ahmad, in their oral narrations of this story, have introduced the themes of war and militancy in different dimensions of the story, in such a way that we think the story has remained the same.
The changes that the people of Kohgiluyeh and Boyer-Ahmad have made in the original story of Kaykhosrow, besides linking this national- heroism story and its characters with the geography of the region, show that they are very interested in the national epics and heroic stories, revealing the region's special talent for attracting epic themes.
On the other hand, many ancient foundations related to the Zoroastrian religion have remained in this region and have represented themselves in the popular narrative of the story of Kaykhosrow; therefore, the image of Kaykhosrow in the culture of the people of Kohgiluyeh and Boyer-Ahmad has two epic and mythical aspects that have found a sacred position.
Conclusion
So far as epic is concerned, the changes in Kaykhosrow's story have taken place with the emphasis on the elements of heroism, heroic ritual, war and military campaign, and epic actions and beliefs. Evidence indicates that reading Shahnameh, the familiarity of the people of Kohgiluyeh and Boyer-Ahmad with Shahnameh, and the special epic feelings that these stories have created among the people of this region, have a direct relationship with their brave and stubborn nature.
On the other hand, in the beliefs of the people of Kohgiluyeh and Boyer-Ahmad about Kaykhosrow, the delivery of the Gitinems Cup to the king in the spring water, Hatef's inspiration to Kaykhosrow (Kaykhosrow's eternal life), his horse and dog in a cave where the source of life and plants were in a spell, the sanctity of the plants, among others, there are themes that are rooted in the ancient customs and myths. This shows that the culture of ancient Iran is still alive in this area and continues to live in other forms.
Volume 22, Issue 2 (8-2018)
Abstract
Due to the potentials and social, economic and environmental considerations land suitability analysis is the most important geographical issues in spatial planning plans. The lack of an integrated approach and the uncertainty in these problems has led the inherent conflicts associated with land suitability analysis. Currently, land suitability analysis in spatial planning plans is done without taking conflicts over land suitability during modeling. The purpose of this study is development a spatial decision support system (SDSS) appropriate with spatial planning requirements in Kohgiluyeh and Boyer-Ahmad based on LUCIS model. The present study focuses on three major kinds of land uses include agriculture, natural resources and urban with an integrated vision. The spatial model used in this research is (LUCIS). In this study, Demand and concerns of stakeholders will be operational with the development and deployment of a spatial decision support system (SDSS). In this context, multi-criteria decision making (MCDM) analysis will be used. The Result of this system is a spatial system that automatically performs land use modeling accordance with the views of decision-makers based on LUCIS model. Land use conflicts will be identified as well as in the present system.
