tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Reflection of Larry dialect in the literature of Hossein Panahi
1
37
FA
Y
N
This paper tries to show that we canuse dialect deviation as an evidence for demonstrate effectiveness of native dialect of writer and poet in his/her literatures.For showing effects of dialect at literature can be used dialectical deviation. Dialectical deviation is one of eight deviations of Leach. At this type of deviation, abnormal construction will enter the Literature Language that can trace the geography of the poet or author.Among the researches down in the field of deviation;there is no research about the impact of the poet environment and geography particularly and why usingdeviation. At this paper, we are going to review dialectical deviation in the Hossein Panahi prose and poetry and discuss the impact of the environment on his verse and prose. For this purpose sixteen proses and poetries of Hossein Panahi investigated and comparedcompletely. The results show that in the literaturesof the first period, Panahi accepted impact of his environment and the live of nomadic childhood.By using words and phrases of Larry dialect in his literatures; he is shown images of childhood memories and nomadic life conditions. Thus, he is mixed suffering and joy. But in the second period of his literature, there is fewer trace of environment and nomadic life. In line with the theme, works format of this period that is about his view of the world and its problems such as justice, awakening pain,etc.there is less dialect deviation.
Larry dialect؛ deviation؛ dialect deviation؛ Hossein Panahi
http://cfl.modares.ac.ir/article-11-9617-en.html
http://cfl.modares.ac.ir/article-11-9617-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Plant-related folk beliefs and rituals in Alaei’s Nezhatnameh
29
46
FA
Y
Old encyclopedias are among the most important sources of preserving the folklore in Persian literature. Among these texts is Alaei’s Nezhatnameh authored by Shahmardan Ebn Abelkheyr in the late fifth century. In addition to the classification of the common science of its era, it includes the important and fundamental elements of folklore. Refering to the rituals and folk beliefs about plants is one of the most important themes of popular culture in this work. In addition to providing scientific and pseudo-scientific facts derived from earlier sources and his own observations and experiences, the author has alluded to a large number of beleifs and rituals with respect to productivity, properties of plants and trees, fighting off the pests, repelling the evil eye, improving and increasing the yield, some of the implications of climate events such as the frog cries signifying the coming of rain, the relationship between trees and humans, false threatening of the tree to guarantee its productivity, the role of plants in dream interpretation, and other odd characteristics. The purpose of this study is to extract, sort, and check the plant-related folk rituals and beliefs in Nezhatnameh as well as quantitatively and qualitatively explore its origins and backgrounds besides an unmatched evaluation of this text with some similar texts in this particular field
Key words: Old encyclopedias؛ Alaei’s Nezhatnameh؛ Folklore؛ plants؛ beliefs and rituals
http://cfl.modares.ac.ir/article-11-1171-en.html
http://cfl.modares.ac.ir/article-11-1171-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Ekhtelaj in folklore and its reflection in Persian Literature
47
65
FA
omid
veiskarami
Master student of persion language and literature at semnan university
N
Mohamad
Rezaei
Assistant and faculty member of semnan university
Y
hosseyn
kia
Assistant professor of persion and literature group at semnan university
N
Folklore makes up a vast part of a society’s culture and literature. To have a fine understanding of what one is looking for beliefs, culture and civilization of any society and its folklore should precisely be studied. This also can be helpful in understanding the vague and problematic areas found in old literary texts and poetry.
Of Iranian's folklore is Ekhtelaj which is considered unintentional both in ancient and modern medicine. The early people attributed what might happen a person himself, his relatives and / or properties to Ekhtelaj and made predictions which are not justifiable based on ancient and modern medicine as well as modern psychology.
Ekhtelaj was so influencing among people and their folklore that exists in all written literary works( i.e. prose and verse).This can be found in Kelileh and Demnneh,in works of old poets (e.g Khaghani, Nizami,Kamaladin Isfahani,Sa'eb Tabrizi) as well as contemporary poets (e.g.Forough Farokhzad and Gheisar Aminpour).
To collect information, survey library methods were used. The present research deals with this leading issue in Persian literature. It has been given a try to define its literal definition, discuss its idiomatic concept, elaborate on its physiological aspect and then the most important part focuses on Ekhtelaj in folklore and its reflection in Persian Literature. The study results reveal that Ekhtelaj was a main element in ancient Iranian's folklore and its occurrence would be interpreted as a case of something good and /or something unpleasant.
: Ekhtelaj؛ Folklore؛ ancient medicine؛ prose and verse works
http://cfl.modares.ac.ir/article-11-8611-en.html
http://cfl.modares.ac.ir/article-11-8611-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Some Epic Allusions taken from Bardic and
Oral-Vulgar Narrations in Persian Poem
67
103
FA
Y
In poetry of some poets (from past to contemporary) is found allusions to some Iranian heroic names and stories that their sources not Shahname or heroic verses or other formal literary or historical texts and their explanation or story is in scrolls of storytellers or oral-popular narrations from stories of Shahname. These bardic allusions have entered in formal Persian poem because that storytelling has current and attached in junctures of Iranian social- cultural history. In this paper- without any deep investigation- has been recommended and studied twenty and seven bardic- vulgar allusions in verses of different poets from sixth century to contemporary. Furthermore we argument about eleven ambiguous allusions that their sources probably in scrolls and popular narrations. allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusionallusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion allusion
Allusions؛ Bardic Stories؛ Oral- Vulgar Narrations؛ Persian Poem
http://cfl.modares.ac.ir/article-11-7004-en.html
http://cfl.modares.ac.ir/article-11-7004-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
The study of magic and sorcery in the Amir Arsalan e naamdaar story
105
130
FA
Y
N
Folk tales reporter's stories and adventures of people from different social classes and generally low reputation who accidentally faced with incidents, exemplary events, wisdom and wonderful the stories portray the culture of each nation and stems from people's dreams and fantasies. Actually, beliefs and practices of early humans is the source of these stories the emergence of supernatural forcessuch as palaces, mysterious, magical gardens, wells and dark spaces, demons, fairies, dragons, magic, lightning, Happiness and unlucky, various sleep, anesthesia and geomancy and astrolabe and etc are the most important elements of creating an Iranian story and all the stories which was written by the novelist in the East territories such as India. Amir Arsalaan e naamdaar story is familiar among folk tales which is the last Persian folk tale features an ancient storyThe story mentioned the main features of Persian folk tale, especially magic the magic tricks that some people did in stories and can change the laws of nature through tricks and do extraordinary things. In these stories, wizards can they spell people neutralize other spells change the appearance of people and objects or predict future events. The authors plan to study magic and witchcraft in this book as a folk tale features
Amir Arsalan؛ Magic؛ Fetish؛ Transformation؛ Prediction
http://cfl.modares.ac.ir/article-11-1614-en.html
http://cfl.modares.ac.ir/article-11-1614-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
“the study of woman\' place in public culture of Jahrom city."
131
152
FA
Y
Roghayeh
koohnavard
jahrom univercity
N
Understanding the different aspects of culture and awareness of every people' thought method, is possible by studying the beliefs and rituals, proverbs and The public opinion of people in that country. The aim of this study was study the woman' place in beliefs and public culture of Jahrom city in Fars province. in this study that was performwd according to academy of cultur and characters in anthropology that explored and analyzed the common features and compositions about women. The results show that in this ancient region, women in most affairs have a dominated and worse position than men. The hesitancy in public culture and literature of this city points that laws governing on family and social relationships, is totally patriarchal and women are often marginalized and they rely men heavily. Characteristics that used for women, in most cases, are inappropriate and animal properties to justify patriarchy and violence against women. pedagogy, educational method and also common pattern of culture among people had more important role in women affairs and making the inequality between women and men.
jahrom"؛ "family"؛ "woman"؛ "public culture"
http://cfl.modares.ac.ir/article-11-3258-en.html
http://cfl.modares.ac.ir/article-11-3258-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
نمادشناسی پای برهنه در ادب فارسی(از آغاز تا دوره مشروطه)
134
252
FA
mansureh
arab
teacher
Y
N
تاریخ فرهنگ و هنر ایران پیش از اسلام و پس از آن نشان می دهد ایرانیان اگر بخشی از تنشان از جامه بیرون باشد، آن را بی شرمی می دانند و مایل هستند جامه ای بپوشند که سرتا پایشان را فرا بگیرد.اما در بررسی آثار ادبی به نمونه هایی بر می خوریم که به برهنگی سر یا پا اشاره شده است .همان طور که پوشش ها ،مجموعه ای از پباورهای فرهنگی هر جامعه را نشان می دهند،هر نوع برهنگی(سر، تن و پا)هم دارای مفاهیم نمادین فرهنگی و اجتماعی است که بررسی و شناخت آنها در آثار ادبی راهگشای پژوهش های انسان شناسی فرهنگی و جامعه شناسی است و نتایج آن به بهبود زندگی اجتماعی و فرهنگی مردم ودرک بهتر آثار ادبی و حفظ هویت فرهنگی کمک می نماید؛زیرا ادبیات زبان بیان فرهنگ و تمدن هر کشوری است ونمادها چکیده اسطوره ها و بیانگر آداب و آیین اقوام اند وبه دلیل چند لایگی و چند مدلولی رمز و راز یک فرهنگ را با خود حمل می کنند.پای برهنه در ادب فارسی نماد احترام و بزرگداشت ، بندگی و تواضع، اشتیاق و وصال ،بی توجهی به خلق و زینت دنیا، مجازات ، سوگواری ، نذر، حاجتمندی و فقر است .عقلای مجانین نیز پابرهنه اندتابا ظاهر دیوانگان بهتر بتوانند انتقاد و اعتراضشان را به گوش دیگران برسانند. در این پژوهش با رویکردی توصیفی و تحلیلی و استفاده از مستندات کتابخانه ای به نمادشناسی پای برهنه در آثار نظم و نثر فارسی از آغاز تا دوره مشروطه پرداخته شده است.
http://cfl.modares.ac.ir/article-11-10289-en.html
http://cfl.modares.ac.ir/article-11-10289-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Status and thematic analysis of Seytaks in the folk songs of Sistan
153
181
FA
Y
Couplet is called Seytak in Sistani dialect that is simple and easy to understand for all Persian-speaking persons. Seytak is more extensively common among Sistani people than the other kinds of songs. The theme of most of these couplets (Sytak) is love and life. Several concepts such as joys, sorrows, concerns, interests, as well as complaining of life’s problems and difficulties, disloyalty, expectation, eagerness and waiting, working and religious beliefs can all be seen in these couplets. The present paper deals with examining the themes of different types of Sistani songs. It also intends to review the artist’s main thought and original thinking by investigating the Seytak in terms of thematic analysis in order to achieve a better understanding of the culture, history, beliefs, traditions, feelings and customs of life of the people who live in Sistan region. The themes of these couplets are classified under four main categorizations including faith, romance, business activities, and social concepts. The other concepts are conveniently categorized under these four main headings. According to the findings, 54% romance concepts, 22/4% social content, 15% of the issues related to faith and 8/57% business activities as the most important concepts were observed in the couplets. The greatest percentage of romance concepts emphasized on using love as an enduring and frequently used literary element in Sistani Seytak.
Folk literature؛ Couplet؛ Sistan؛ Seytak؛ Theme
http://cfl.modares.ac.ir/article-11-2900-en.html
http://cfl.modares.ac.ir/article-11-2900-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Exploration and Description of the Types of Implicatures in Colloquial Persian According to the Culture of Persian Speakers in Tehran
183
205
FA
Soheil
Roozbeh
Linguistics, Science and Research Branch, Islamic Azad University, .
N
ّFerdows
Agha golzadeh
Professor of Linguistics at Tarbyat Modares University.
Y
Hayat
Ameri
Assistant professor at Tarbyat Modares University.
N
In Persian language, implicature has an important role in discourse and also inference by listener is of great importance. The purpose of this study is analysis of Persian data and categorizing different forms of implicature. The problem is how Persian speakers infer the intended message conveyed by the speaker. The study is based on a descriptive-analytical approach. Data of this study are the 50-hour recorded conversations of people in 13 situations in Tehran. After finding implicatures, they were classified. They were described and analyzed based on the hypotheses. It is concluded that in Persian, implicit meaning is shown by generalized conversational implicature, scalar implicature, particularized conversational implicature and conventional implicature. Moreover, grammatical structures including conditional sentences and wh.q structures can create implicit meaning with assuming special cases and resulting in impliatures. Finally we reached to the conclusion that the context of situation and culture are crucial and influential factors in analyzing the conversations. Since meaning and interpretation could be inferred in the context of situation.
Pragmatics؛ conversational implicature؛ scalar implicature؛ conventional implicature and cooperative principles
http://cfl.modares.ac.ir/article-11-10278-en.html
http://cfl.modares.ac.ir/article-11-10278-en.pdf
tarbiat modares university
Culture and Folk Literature
2345-4466
2423-7000
5
18
2017
12
1
Studying the components of common language in Persian lyric poetries: Iraj and Houbara , Zohreh & Manouchehr
208
232
FA
Aref
Kamarposhti
Faculty
Y
maryam
soleymanpoor
N
Language is one of the main components of culture giving rise to the formation of communication and exchange of ideas. The folk language which has been used in Persian literary works considered as both one of the treasures of Persian literature and spiritual elements embedded in folk culture. It is an integral part of folk culture and literature, which includes beliefs, myths, parables, songs, etc. The use of folk or common language, is more evident in the literature of Constitutional period. The poetry of this period appears to be more of a demonstration for general approbation than for specific. Accordingly, the descriptive-analytical method has been used in this study to investigate the four elements of common language including lexicon, idioms, allusions and proverbs in the latest Persian lyrics namely "Zohreh and Manouchehr" composed by Iraj Mirza and "Iraj and Houbara" composed by Qasem Larbon. The findings suggest that although there is a similarity in prosody, form, content and linguistic features of these two rhymed systems, the common language usage seems to be less in "Iraj and Houbara" than "Zohreh and Manouchehr" due to the time in which the use of idioms , parables and boilerplate was inevitable.Language of poetry applied by Iraj Mirza has also been influenced by such language while it is more close to the standard language in the works of Larbon.
common language؛ Zohreh & Manouchehr؛ Iraj Mirza؛ Iraj and Houbara؛ Larbon
http://cfl.modares.ac.ir/article-11-4105-en.html
http://cfl.modares.ac.ir/article-11-4105-en.pdf