@article{ author = {Haghparast, Leila and yahaghi, mohammadjafar}, title = {Iranian Heroic Pattern (With a Criticism on Heroic Patterns)}, abstract ={So far several models have been proposed in order to systematically classify hero`s replicable life in heroic narratives around the world. These models, except for some few cases of difference, are very similar to each other. After the introduction and criticism of Hero patterns available, this study compares and contrasts the most famous and comprehensive ones as examples for Rustam`s life events. It shows that many parts of these patterns do not match with the most prominent representative of the idea of "world champion" and beyond that with the life structure of heroes Sam`s Clan and it is needed to design a native pattern to classify overall life structure of Iranian heroes. Therefore, the authors have determined the life structure of five first Iranian champions i.e. Garshasp, Nariman, Sam, Zal and Rustam and have shown their replicable parts. Accordingly, they have suggested a new pattern of Iranian heroes' life that consists of five distinct sections of characteristics of hero`s parents, amazing properties of the hero from birth and childhood, departure for battle, love and marriage, and finally guilt and death.}, Keywords = {hero patterns؛ native pattern؛ Iranian hero؛ world`s champion؛ Sam's Clan}, volume = {4}, Number = {10}, pages = {1-32}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-5112-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-5112-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {Zabihi, Ali and Gudarzi, Mohammad Rez}, title = {Amir Pazevari or Mazandarani; which one?}, abstract ={The representation of kinship relationships in Persian proverbs has been studied in this research. Method of the research is descriptive-analytic and during that some proverbs were extracted from the Great Dictionary of Persian Proverbs and those proverbs which were from non-Persian languages and dialects were deleted. Finally, 3332 Persian proverbs relevant to kinship relationships have been received. The proverbs were firstly classified based on kinship mentioned on them and abundance of the proverbs of each kinship received. Then based on Murdock Theory, kinfolks were classified and compared according to the kind of kinship, marriage kinship, blood or half-blood kinship, the degree of kinship, first, second and third degree and far kinship. Gender, generation and decent of kinfolk, gender of self and kind of family were also considered and were set as the basis for comparison of the mentioned kinship in the proverbs. Those proverbs related to the woman (as the wife) are more than the other kinfolks, while those proverbs related to marriage kinship are more than blood and half-blood kinship. After the woman, father has the second place and the child has the third one. Female kinfolks were mentioned more than male kinfolks in the proverbs, but at the same time, the abundance of those proverbs relevant to men kinfolks are more than women kinfolks.}, Keywords = {Sociolinguistics؛ anthropolinguistics؛ Proverb؛ kinship words؛ Murdock Theory}, volume = {4}, Number = {10}, pages = {33-57}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-7943-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-7943-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {Khanmohammadi, Mohammad hossein and DowlatiSiyab, Akram}, title = {Th status of traditional Clothing of laki speakers of Lorestan in their distiches}, abstract ={Residents of Lorestan province have two distinguished dialects: “Bakhtiari Lori” and “Persian Lori” and Laki dialect where Laki speakers of North and west of Lorestan express many of their traditions, customs and cultural attributes in the form of distiches in Laki oral or written. From these distiches, which express people’s traditions, customs and culture in this region, we can mention some of distiches of divination in “Chelsoru” and “Mur”. The aim of this article, which has been done based on the sources of library benefiting from descriptive and analytical method, is to dis cover the relationship among distiches and Laki  women and men, and in this field, it is noted in the distiches of divination in “Chel soru” , which is called happy poems, women’s clothing has been described as “ Sarvan, Sardari, Kolanjah, Koush, Keras, Zeir Jamah and different jewels where we can easily observe their social status and properties. In “Mur”, poems which contain sad and melancholic themes, it seems that men’s clothing is better described than women’s cover. In some verses of these poems, the similarity of clothing between Median authorities and Zoroastrian speakers of this province has been noted.  }, Keywords = {Clothing؛ Lorestan؛ Lak people؛ Chehel sorud؛ Mur}, volume = {4}, Number = {10}, pages = {59-83}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-10424-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-10424-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {SabzeyanPoor, Vahid and Jahani, Hediyeh}, title = {The Study of Amsal Tales in Amsal Movaled}, abstract ={It is in Meydani's Majma Al Amsal that 1000 Arabic proverbs of Al Movaledun have been defined:"Amsal hasn't Arabic identity, they have been borrowed from other cultures to Arabic language".  Meydani has no idea about the identity of Amsal , but whereas commentators believed that Iranian culture has been excessively influenced by revolving Arabic literature, it is lost to approve Iranian origin of Amsal to show Iranian cultural face before Islam through different events. Since there are multiple studies have been conducted to show Iranian identity of Amsal by examining concepts, and vocabularies of Iranian works. This study has tried to compare the concepts of Amsal Movaled and Iranian Tales of Amsal, in order to show the veins of Iranian identity in Amsal, because, Iranian culture and literature show the tales which conclude to those of Movaled proverbs, therefore, there is no doubt on their origins. While Meydani believes that all of the tales of Amsal were quoted, there is no tale to support the documentation of the study, it shows that the tales were not famous in Arabic literature in Meydani career. Such tales of Persian literature and culture are examples of Arabic Amsal in Iranian culture.}, Keywords = {Majma Al Amsal؛ Abolfazl Meydani؛ Amsal Movaled؛ Amsal Tales}, volume = {4}, Number = {10}, pages = {85-111}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-4781-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-4781-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {Dehghanian, Javad and Nowrouzi, Assadollah and ParsaNasab, Mahnaz}, title = {Morphology of Qashqai’s story based on structuralist theory}, abstract ={One of the most important Turkish tribe in Iran is Qashqai. This tribe has had its own culture, literature and language. It seems that in the process of modernization and Homogenization in Iran, this culture especially its literature is vanishing. Then, it is necessary to do some researches to protect it from being destroyed. Qashqai tribe has rich oral literature and culture whose stories are a part of it. Since up to now, no study with structural approach has been performed on these stories; we have examined ten stories as case study. The Methodology of the study is based on morphological model of Vladimir Propp, Russian formalist researcher. For this purpose, at first, all stories are analyzed and then each story’s model is mentioned with combination of their motions. This study shows that Qashqai tribe’s stories has the ability of structural study and to great extent is compatible with Iranian stories.}, Keywords = {Folklore؛ Qashqai؛ Morphology؛ formalism؛ structuralism}, volume = {4}, Number = {10}, pages = {113-139}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-5492-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-5492-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {Alami, Zolfaghar and Bahmani, Kobr}, title = {A comparative study of English Tales and Legends of Iranian}, abstract ={The most important manifestation of the underlying collective human mind is in the folk tales and legends projection, even if the story is written for children and young people in different areas and with different languages as long as the story is repeated. There is always interesting stories and legends to express the good wishes. What is interesting and worth mentioning is the secret of the story for the adults with educational scopes and its reading is valuable, and it should not forget that their creators and narrators have this type of literature. The story of the origin of mass and surprising similarities between the story of how the actions of nations and iterative structures happen, lead to the layers of analysis which are encoded in the term of analytical stories. Based on the projection process of individuation and the collective unconscious common feature shared by a number of stories to choose from myths or legends of the Azerbaijani and English, this study tries to investigate the possible influence of this process which is obvious for human cultures. They forget that their creators and narrators have this type of literature. Although admission to the diverse cultures have created myths and stories, but its deep structure, reflects the same preoccupation and the end of all is the same. }, Keywords = {Legends of Azerbaijan؛ the story of English؛ comparative Folk؛ Individuation؛ Anima؛ Collective unconsciousness}, volume = {4}, Number = {10}, pages = {141-164}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-6811-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-6811-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {Moradi, Mohamm}, title = {Rhyme and Row Function in Traditional Quatrains among Fars Public}, abstract ={Quatrain is one of sub forms of formal literature and perhaps is the most important ancient form of folk poetry and local literature. Local poets and Fars land people have long been familiar with this form and a considerable number of traditional quatrains among the public speakers of Persian language and literature has been written by historical Fars poets. In this paper, while the frequency, practices and techniques of using rhyme and row in more than 1100 traditional quatrains among Fars people have been examined by an analytical- descriptive method, differences and similarities of using rhyme and row in these poems have been derived and analyzed compared to formal literature. The result of this study is that Fars local quatrains rows' structure are not very complicated; the point where being personal and memory-based concept is compatible with knowledge, compose environment and poems' concepts narrative. Also poets and poems' narrators (in composing or reading quatrains) have used distinct eight main tricks with formal rhyme rules to simplify their poems' rhymes.}, Keywords = {quatrain؛ folk poems؛ rhyme؛ row؛ Fars local literature}, volume = {4}, Number = {10}, pages = {165-189}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-2375-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-2375-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} } @article{ author = {mohseni, Firoozeh}, title = {Semiotics and Mythology of the Legend of Khatun-e-Chaharshanbesoori}, abstract ={Khatun-e-Chaharshanbesoori (Last Wednesday’s Khatun) is a Guilani legend which has a place beyond a typical legend in the culture of the people of Guilan because, in a ceremonial night, it has devoted many customs to itself. Hence, this myth is repeated by them every year. In this paper, through expressing the legend of Khatun-e-Chaharshanbesoori, its semiotics and mythology has been addressed. Then, the theories are expressed and studied based on the theory of Mircea Eliade, which is among some ceremonial sample called images of gods and mythology, and the present human being repeats them, the following question is addressed: Is this legend rooted in ancient beliefs of Guilan inhibitants? In the initial response, it can be said that many ancient beliefs, in accordance with the conditions of time, place and its progress in various fields, are outdated or, it can see the traces of the mythological themes in fairy tales and ritual. Using the methodology of data collection in libraries and data analysis, the present article aims to examine the symbolic and mythical implications of Khatun- Chaharshanbesoori, and the rituals and beliefs relating to it in Guilan province.  }, Keywords = {: Khatun-e-Chaharshanbesoori؛ Legend؛ Mircea Eliade؛ Guilan}, volume = {4}, Number = {10}, pages = {191-206}, publisher = {tarbiat modares university}, url = {http://cfl.modares.ac.ir/article-11-177-en.html}, eprint = {http://cfl.modares.ac.ir/article-11-177-en.pdf}, journal = {Culture and Folk Literature}, issn = {2345-4466}, eissn = {2423-7000}, year = {2016} }